akoso Wrote:The only thing that always disappointed me about Bobby is he rarely improvises. When I go to a Hip concert, I can sing along with all of Gordie's lyrics and sing all of Bobby's solos, because they're straight off the album. I really think more effort should be put into songs like Nautical, where there's a lnog instrumental bit, to just improvise. Scrap whatever you wrote, just let Paul and Gord give Bobby the chords and the rhythym and let him be original.
Are you sure you're talking about the Hip here?? He improvises quite a bit actually, especially during the outtro to Nautical Disaster. I've seen them 20 times so far, and not once have I seen him duplicate a solo from the albums. I've noticed on Little Bones he sticks fairly close to the recorded version (not sure why), but he definitely lets loose on tunes like Nautical, Three Pistols, Tiger the Lion, Meanstreak, Pigeon Camera, Blow at High Dough, Fire in the Hole, The Wherewithal, Locked, Gift Shop, and many others.
The thing about Nautical, and this has been mentioned by the band members themselves, is that it doesn't really have any kind of structure. It has no verse, no chorus, and no bridge. It all just comes out in one big gush, loosely framed by Gord Sinclair's circular bass line. There's no structured instrumental break where they can jam (ie..Hundredth Meridian, NOIS). As Downie puts it:
"I had to figure out where I was in the song and how to blurt this thing out. To this day if I get even remotely distracted, I'll forget the lyric. If I forget a line, I just can't pick it up again so the song might as well end. I find that very interesting. Maybe the song's haunted."