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Love the tune. But reading the lyrics yields little info about its meaning. Anyone care to share?
Thanks!
Scott
Dallas, Tx
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New Orleans IS sinking - into the sea. Most of the city is already well below sea level, and its only a matter of time until something gives and the bulk of the city ends under water.
However, not what the song is about.
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I always kindof thought it was about giving up single life. New Orleans is quite the party town or at least I kindof few it as one with mardi gras and all. There for the single life is going down and that's fine with Gord..Who know's?
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New Orleans Is Sinking (Three feet per century)
This is all speculation...
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I always thought it was maybe a ship that sunk called the “USS New Orleans”
(although I can’t find anything about it sinking...)
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Dixie Dead Shake
- Could be a metaphor for the old South dying
Dixie's Dead, Long Live the South
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-Also, strangely, this (a handshake in the South?);
From - <!-- m --><a class="postlink" href="http://www.hornbell.com/214">http://www.hornbell.com/214</a><!-- m -->
The Dead Shake – Definitely one of the saddest shakes on the market today. The Dead Shake usually comes accompanied by a desperate look from its owner, as if to say, “My hand is dead. Can you resuscitate my hand?” The hand will go limp and squishy in your grip, giving you the impression you could wring water out of it. The Dead Shake is basically a cry for help, but if you encounter one, you are the one who is in danger. Although these people seem harmless and demure, they are psychotic killers all, and would happily tie puppet strings to your fresh corpse, watching it dance for hours.
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Colonel Tom
- Colonel Tom Parker? Elvis Presley’s manager
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War of 1812; Battle Of New Orleans?
Tom Custer?
<!-- m --><a class="postlink" href="http://americanhistory.about.com/library/prm/bldeathoftomcuster1.htm?terms=tom+custer">http://americanhistory.about.com/librar ... tom+custer</a><!-- m -->
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It’s probably meant to be ambiguous...
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Now here's what I wrote in an earlier thread in response to the idea that the song is sung from the point of view of one of the corpses that peridiocally wash up from nearby cemetaries when the Mississipi floods (that's why, for instance, his gf screams AAAAAAAAAAAAHHHHHHH!). This is LONG, but...heartfelt:
OK. I'm down with the 'corpse' interpretation, but there's got to be more to it. There's a back story behind that corpse, contained in the first half of the song. That's why I like the 'Civil War' connection. The corpse is a Civil War vet. But then again, references to light bulbs and picture postcards are modern references make no sense coming from a Civil War corpse.
So we may have to glide over to something more allusive and metaphorical. The 'Dixie', 'North-South' and other suggestions of a war veteran's perspective are clear hints of the Civil War. If we choose to read an Ollie North reference into the lines about Colonel Tom (which makes sense given that it was written when North was all over the news) then the theme of solider/war gains further resonance; but it also suggests that something trans-historical is going on here, that we're being given some panoramic vision of America's history of warfare. The damaged, disturbed soldier is a constant in American life, the song seems to be suggesting.
But there's also the obvious MUSICAL connotation to New Orleans, which of course is one of America's great musical centres. That's where the 'Colonel Tom' line takes on yet another meaning---Elvis's Colonel Tom Parker. The crucial invocation of 'Colonel Tom' actually suggests three things, then: a Civil War vet; a more generic American soldier or some other victim of America's history of warfare; and Elvis's manager. This last reference is reinforced by the 'do what ya feel is real' line (the sort of thing musicians and artists would say, not soldiers), as well as 'dancing the sidewalk clean' in the introduction. So American war and American music are definitely themes here.
If you follow the rest of the song through---being pale, bloated and distorted as a cloud, feet up on the banks, etc.---this corpse-imagery applies equally well to our dead civil war/generic American solider, OR Elvis Presely, who died pathetic and bloated. Both the American solider and the iconic American musician are, in the end, washed up by the Mississipi river, ruined corpses in New Orleans.
So, let's seal the deal. America is two things: a nation of war, killing its own; and the source of great rock and roll music. New Orleans is the place where all of America is symbolically summarized, where it all ends (see the lines about the river in 'If New Orleans is Beat' for development of that idea). 'I don't wanna swim' could be the statement of the corpse that belongs below the surface; but it can also double as the singer's ambiguous affirmation of the granduer of the nation that created the style of music, in fact a whole lot of the civilization, that defines his own work and life. It's the 'river that I [he, the singer] am in.'
It may be long-winded, but I think this really hangs together. But I'd love to hear what you all think.