01-31-2018, 11:32 AM
This should be a fun one.
Released October 17, 2006.
Yer Not the Ocean
The Lonely End of the Rink
In View
Fly
Luv(sic)
The Kids Don't Get It
Pretend
Last Night I Dreamed You Didn't Love Me
The Drop-Off
Family Band
World Container
Produced by Bob Rock, whose list of credits is so long I'll just say if you listen to music there's a good chance he was involved. Sort of forgotten, due to his producer credits, is his earlier musical success with the Payolas and Rock and Hyde. I suspect there will be a lot of venom towards Rock, but it may still not match the anger you'll find from hardcore Metallica fans (I'm not one, but I do like reading some of the music forums specifically about the Black album.)
I'm going to possibly be a contrarian, and say I really like this album. I had generally not liked M@W, and while I now appreciate them IVL and IBE were two albums that it took me years to really get into. Could have been a case of life events, or other music. WC came out at what was likely the right time for me, and was the first Hip album in a longtime that I really appreciated and embraced right at its release.
I said it in an earlier thread, but I find their producer choices always interesting. Earlier in their career, in retrospect I'm surprised at some of the "heavy weights" they were able to work with, either as an unproven band or with limited international reputation. As they progressed, the choices they made generally seem to fit with what's needed with the next album.
I like the roughness, one-take sound of IBE. At the same time, while the records were still selling, I don't think the band's audience was significantly growing. While I think the band rarely made any decisions for commercial purposes, and instead passed up many opportunities for significant commercial gain over their 30 years, I would guess there was a bit of internal (and likely more so external) pressure for a more accessible album that would return the band to a wider audience. While I remained a fan, I know for many they'd pretty much dropped off the radar over the past two albums.
For lack of a better word, with WC Rock polished the edges. When you look at Rock's career, that's really how he's found success -- everything becomes a bit more concise and tighter. Two good examples would be The Cult, or Veruca Salt. In one case, I think he helped (I prefer Electric, but Sonic Temple is decent) and in the other he ruined it (Veruca Salt's debut was great, 8 Arms was neutered garbage). With WATS I think Rock polished too far, but that's for later.
As for the album, I think in listening to IBE more over recent weeks and moving on to WC, Gord went from one of his most lyrically complex albums to something a bit more straightforward. The allusions are a bit easier to understand.
I do recall being a bit taken aback by In View, and the keyboard riff always reminds for a SNL Christmas skit with Jimmy Fallon playing a keyboard. But the band seemed to enjoy playing it live, and it was the first time in a few years that I heard the band return the radio.
Two songs really make the album for me.
For a band that wrote a lot of great hockey related songs, Lonely End of the Rink is my favorite. I like that opening riff, and then when the drums kick in, and it's a pretty cool acoustic solo by Rob. Mostly I played goalie, and (stupidly for letting him) one of my kids now plays goal. At its simplest interpretation, it's the greatest song ever about goalies, parents, relationships, being part of a team but not really part of a team -- you're in this alone, and I can watch but not help.
Drop-Off has some of my favorite Gord in studio vocal deliveries. His "whooo" feels like an accomplishment. I'd love to see video of him recording this track in the studio.
It's also maybe the album where they most showed their influences beyond the usual blues rock cited bands from earlier in their career (easy to hear some Bowie, Clash, Iggy, Pink Floyd) and it was interesting that they chose to play covers to close sets on this tour. It was also maybe the tour when I most noticed Gord turn into a "performer", with painting the audience, tossing handkerchiefs, etc. I ended up seeing numerous shows on this tour, but sadly passed up the one I should have gone to when they inexplicably played the All In Lounge in Akwesasne. I do know one guy who went to the show, and his memories are pretty amusing. It was also the band's last real large scale arena tour until MMP.
For vinyl enthusiasts, this LP reissue is very solid and has some revelations. Gord's vocal presence in the mix is striking. Pretend, a song I hadn't been too keen on, is an entirely different presentation on the vinyl format (mostly much better separation, and you can better appreciate Rob's guitar work).
I expect this record will get a lot of hate, but I've always enjoyed it and when ranking the albums it's always higher up on my list than I'd expect. I'll save my hate for the next album, where I think Rock went from helping the band to hindering them. But again, I know there's a lot of members who really like that album....but that conversation will be for a few weeks down the road.
Released October 17, 2006.
Yer Not the Ocean
The Lonely End of the Rink
In View
Fly
Luv(sic)
The Kids Don't Get It
Pretend
Last Night I Dreamed You Didn't Love Me
The Drop-Off
Family Band
World Container
Produced by Bob Rock, whose list of credits is so long I'll just say if you listen to music there's a good chance he was involved. Sort of forgotten, due to his producer credits, is his earlier musical success with the Payolas and Rock and Hyde. I suspect there will be a lot of venom towards Rock, but it may still not match the anger you'll find from hardcore Metallica fans (I'm not one, but I do like reading some of the music forums specifically about the Black album.)
I'm going to possibly be a contrarian, and say I really like this album. I had generally not liked M@W, and while I now appreciate them IVL and IBE were two albums that it took me years to really get into. Could have been a case of life events, or other music. WC came out at what was likely the right time for me, and was the first Hip album in a longtime that I really appreciated and embraced right at its release.
I said it in an earlier thread, but I find their producer choices always interesting. Earlier in their career, in retrospect I'm surprised at some of the "heavy weights" they were able to work with, either as an unproven band or with limited international reputation. As they progressed, the choices they made generally seem to fit with what's needed with the next album.
I like the roughness, one-take sound of IBE. At the same time, while the records were still selling, I don't think the band's audience was significantly growing. While I think the band rarely made any decisions for commercial purposes, and instead passed up many opportunities for significant commercial gain over their 30 years, I would guess there was a bit of internal (and likely more so external) pressure for a more accessible album that would return the band to a wider audience. While I remained a fan, I know for many they'd pretty much dropped off the radar over the past two albums.
For lack of a better word, with WC Rock polished the edges. When you look at Rock's career, that's really how he's found success -- everything becomes a bit more concise and tighter. Two good examples would be The Cult, or Veruca Salt. In one case, I think he helped (I prefer Electric, but Sonic Temple is decent) and in the other he ruined it (Veruca Salt's debut was great, 8 Arms was neutered garbage). With WATS I think Rock polished too far, but that's for later.
As for the album, I think in listening to IBE more over recent weeks and moving on to WC, Gord went from one of his most lyrically complex albums to something a bit more straightforward. The allusions are a bit easier to understand.
I do recall being a bit taken aback by In View, and the keyboard riff always reminds for a SNL Christmas skit with Jimmy Fallon playing a keyboard. But the band seemed to enjoy playing it live, and it was the first time in a few years that I heard the band return the radio.
Two songs really make the album for me.
For a band that wrote a lot of great hockey related songs, Lonely End of the Rink is my favorite. I like that opening riff, and then when the drums kick in, and it's a pretty cool acoustic solo by Rob. Mostly I played goalie, and (stupidly for letting him) one of my kids now plays goal. At its simplest interpretation, it's the greatest song ever about goalies, parents, relationships, being part of a team but not really part of a team -- you're in this alone, and I can watch but not help.
Drop-Off has some of my favorite Gord in studio vocal deliveries. His "whooo" feels like an accomplishment. I'd love to see video of him recording this track in the studio.
It's also maybe the album where they most showed their influences beyond the usual blues rock cited bands from earlier in their career (easy to hear some Bowie, Clash, Iggy, Pink Floyd) and it was interesting that they chose to play covers to close sets on this tour. It was also maybe the tour when I most noticed Gord turn into a "performer", with painting the audience, tossing handkerchiefs, etc. I ended up seeing numerous shows on this tour, but sadly passed up the one I should have gone to when they inexplicably played the All In Lounge in Akwesasne. I do know one guy who went to the show, and his memories are pretty amusing. It was also the band's last real large scale arena tour until MMP.
For vinyl enthusiasts, this LP reissue is very solid and has some revelations. Gord's vocal presence in the mix is striking. Pretend, a song I hadn't been too keen on, is an entirely different presentation on the vinyl format (mostly much better separation, and you can better appreciate Rob's guitar work).
I expect this record will get a lot of hate, but I've always enjoyed it and when ranking the albums it's always higher up on my list than I'd expect. I'll save my hate for the next album, where I think Rock went from helping the band to hindering them. But again, I know there's a lot of members who really like that album....but that conversation will be for a few weeks down the road.


