MattyM Wrote:I'm talking about the design of the character, the style of it (I have no idea who the artist was who designed the Hulk for the film). In the comics the tiny-head-on-huge-body idea works a treat, in the film it just didn't look right.
You make a valid point. I guess maybe it just works for me, personally. I probably would have come up with a similar design, myself. I think this design allows you to connect a bit more with the monster.
MattyM Wrote:As for Ang Lee, we'll have to agree to disagree.
Lol, that's fine. Like I said, I don't think the film would have changed dramatically with another director. With some different writers, yes. After watching it again last night, I believe the source of "not liking" this film comes from the pacing. The story is segmented, almost episodic, which goes away from the traditional arc of a movie. My guess is that you have to have a genuine interest in the story for it to work. I liked the story, so I liked it. Others who didn't seem to like it, didn't care for the plot, it seems.
I liked the comics the most, myself. When I see a movie, I'd like it to be different than the source material, or I'd just read the source material. I think It must all come down to preference, not the merits of the film. I was having a similar conversation with a friend about
Hostel; there is a lot of hate for that movie, also. It all stemmed from the content. The disturbing nature of the story seems to muddy people's judgement of the film. When you break it down, it is a spot-on film, playing with viewer expectations, but most people are distracted for, what I call, a personal distaste for the nature of the story.
One thing I forgot about
Hulk though, was the fantastic soundtrack provided by one of my favorite film composers, Danny Elfman.