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Stripper's Union - The Deuce - March 8
#16

I am definitely excited for this. I was always glad to rediscover Local 518 a few times a year... it's a great record.

2004-12-03 - Saint John/2005-09-03 - Moncton/2006-06-30 - Charlottetown/2006-11-09/10 - Montreal/2007-09-11 - Fredericton/2007-09-13 - Halifax/2007-09-14 - Sydney/2007-09-15 - Charlottetown/2008-06-30 - Charlottetown/2009-05-01/02 - Montreal/2011-06-28 - Moncton/2011-06-30 - Charlottetown/2012-06-30 - Niagara-on-the-Lake/2013-02-01 - Moncton/2013-02-02 - Halifax/2015-01-10 - Toronto/2015-02-20 - Montreal/2015-07-17 - Ottawa/2016-08-18 - Ottawa/2016-08-20 - Kingston
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#17

[youtube]vXca8LXdlaA[/youtube]

"We're forced to bed, but we're free to dream"
Dana
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#18

Rob Baker Says:
I've been following Samantha Moore's career for several years...since when she was way too young to have a career but did anyways. She has always been very sweet and talented but over the last year, and through her residency at The Mansions new music Monday, I have watched her really grow as a performer from stage-shy to commanding. Sam did the spoken word 'Snow White' part on "No Ones Watching Now" from the first Strippers Union album (hereafter called "Local 518").

It is our privilege to have Sam on 4 tracks on our upcoming album "The Deuce" (released March 8th). Sam sang like an angel. Singing alongside Sam on 3 of those tracks and alongside Gord Sinclair on another was Emily Fennel - also angelic with just a hint of sultry devilishness. Wow! The girl can sing! If you follow what is new or up and coming in the Canadian music scene you will probably have heard of Emily. I first saw/heard Emily in a bar/restaurant in Picton a few years back and was immediately impressed by her voice and comfort on stage. Recently Emily has drawn her music into a much sharper focus which emphasizes her keyboard chops, jaw-dropping vocal talents and well written personal material. This gal is a rocket ready for take-off. See her now so that you can say 'I saw her when...'.

I assure you that you will be hearing lots more from both of these gals. - RB

"We're forced to bed, but we're free to dream"
Dana
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#19

<!-- w --><a class="postlink" href="http://www.strippersunion.ca">www.strippersunion.ca</a><!-- w -->

---

Stripper's Union
“Sincere music is about the approach. It has nothing to do with flash,” asserts Rob Baker, vocalist/guitarist

“It's of like the James Brown Band. If you strip it down and look at individual parts, it's pretty simple. Put Poised The Deuce (Bhaji Maker/Universal), Stripper's Union are no strangers to the importance of a band Baker and Union cohort Craig Northey (vocals/guitar) have spent immeasurable amounts of time respectively. Pulling fellow conspirators Doug Elliott (bass guitar) and Pat Steward (drums) from intensity, musicality and vision.

Formed as a means of uniting like-minded musical vision, a way to span the gap between their Kingston, their other ventures, the casual collaboration that is Stripper's Union has been heralded as an invigorating Grasping the rare moment of downtime from his main gig as opportunity to create, Baker rang up of unused material. Some months later, their pristine 2005 eponymous debut was issued unto the “I'm I've ever done it musically. It's always been a friendly collaboration. Even though Craig is on the whole thing is just and excuse for us to get together and hang out,” Baker half-jests.

Regardless, graced with rave reviews and a fiendish cult following out of the gate, Stripper's Union Local 518 was a coup for Baker, Northey and crew. With more pressing affairs at hand however a half-decade before the crew could reconvene, share more ideas and nail down some fresh tunes.

The Bathouse Recording Studio, the album's 10 tracks find Stripper's Union settling down into a slick groove

“The was going to be,” says Baker. “We pushed in different directions to see what would work. This record is a lot more focused and representative of where it should be going. Like the last record, it's With tracks such as shuffling opener “Making Strange,” the gritty twang of “Burn The Bridge Down,” introspective subtlety motivating “Whiteout” and more, The Deuce is nothing less than a Pared down from 16 potential tracks into the finest representations of the quartet's abilities, The captivating riffs and rumbling beats.

“I great showcased as best they can. That's why we ensured we had the best foot forward by cutting some these Honed in, locked and loaded, Stripper's Union readily assert their dominance, virulence and prowess this chances to collude, let alone perform as an entity unto itself?

“I adore being a songwriter, guitar player and working with friends. Stripper's Union is like an open had such a great time working with these guys, it will happen again. These guys are such great musicians, bitter. It's all sweet.”

2004-12-03 - Saint John/2005-09-03 - Moncton/2006-06-30 - Charlottetown/2006-11-09/10 - Montreal/2007-09-11 - Fredericton/2007-09-13 - Halifax/2007-09-14 - Sydney/2007-09-15 - Charlottetown/2008-06-30 - Charlottetown/2009-05-01/02 - Montreal/2011-06-28 - Moncton/2011-06-30 - Charlottetown/2012-06-30 - Niagara-on-the-Lake/2013-02-01 - Moncton/2013-02-02 - Halifax/2015-01-10 - Toronto/2015-02-20 - Montreal/2015-07-17 - Ottawa/2016-08-18 - Ottawa/2016-08-20 - Kingston
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#20

Is that post missing a whole bunch of words and punctuation? It's impossible to read and make sense of it.

"....a way to span the gap between their Kingston, their other ventures, the casual collaboration that is Stripper's Union has been heralded as an invigorating Grasping the rare moment of downtime from his main..."

What?
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#21

chris Wrote:Is that post missing a whole bunch of words and punctuation?
Yep. Their version up on Facebook seems more coherent...
____
"Sincere music is about the approach. It has nothing to do with flash," asserts Rob Baker, vocalist/guitarist of the esteemed instinctual rock brigade Stripper's Union.

"It's about everyone playing a small role in trying to create a big, organic, pulsating thing...kind of like the James Brown Band. If you strip it down and look at individual parts, it's pretty simple. Put it all together and it's a mass of awesomeness."

Poised to assail the world of rock with their own "mass of awesomeness" in sophomore opus The Deuce (Bhaji Maker/Universal), Stripper's Union are no strangers to the importance of a band being greater than the sum of its parts.

Baker and Union cohort Craig Northey (vocals/guitar) have spent immeasurable amounts of time traipsing the Great White North in revered acts such as The Tragically Hip and The Odds respectively. Pulling fellow conspirators Doug Elliott (bass guitar) and Pat Steward (drums) from Northey's former outfit, the foundation of Stripper's Union is an impenetrable dynamo of intensity, musicality and vision.

Formed as a means of uniting like-minded musical vision, a way to span the gap between their Kingston, Ontario and Vancouver, British Columbia homes and tapping into ideas unexplored by their other ventures, the casual collaboration that is Stripper's Union has been heralded as an invigorating attack on congenital rock 'n' roll.

Grasping the rare moment of downtime from his main gig as opportunity to create, Baker rang up his old friend Northey about meeting to talk shop, banter about ideas and raid Baker's stacks of unused material. Some months later, their pristine 2005 eponymous debut was issued unto the world.

"I'm a guitar player and I love collaboration, so I called up some friends. That's the only way I've ever done it musically. It's always been a friendly collaboration. Even though Craig is on the West Coast and I rarely see him, he's one of my best friends. I turn to him first. It's like the whole thing is just and excuse for us to get together and hang out," Baker half-jests.

Regardless, graced with rave reviews and a fiendish cult following out of the gate, Stripper's Union Local 518 was a coup for Baker, Northey and crew. With more pressing affairs at hand however (it's hard to step away from a juggernaut such as The Hip for too long), it would be a half-decade before the crew could reconvene, share more ideas and nail down some fresh tunes.

The results however, shine emphatically on The Deuce. Recorded at the Bhaji Bakery and The Bathouse Recording Studio, the album's 10 tracks find Stripper's Union settling down into a slick groove and common vision only hinted at on their previous release.

"The last time around, everyone was feeling each other out a bit; figuring out exactly what this was going to be," says Baker. "We pushed in different directions to see what would work. This record is a lot more focused and representative of where it should be going. Like the last record, it's a little eclectic but still more pointed, upbeat, rockin' and outward looking."

With tracks such as shuffling opener "Making Strange," the gritty twang of "Burn The Bridge Down," introspective subtlety motivating "Whiteout" and more, The Deuce is nothing less than a refined showcase of Stripper's Union's dynamic fortitude and tempered, unbreakable union. Pared down from 16 potential tracks into the finest representations of the quartet's abilities, The Deuce's 42 minutes are a brilliantly relentless feast of harmonic enthrall motivated by captivating riffs and rumbling beats.

"I felt like we were starting to cut some really solid material but that's how you make a great album," Baker admits. "I want the songs to have a life of their own so they need to be showcased as best they can. That's why we ensured we had the best foot forward by cutting some songs, not that they were lacking in quality. They just had a different direction where these ones all aim at the same target."

Honed in, locked and loaded, Stripper's Union readily assert their dominance, virulence and prowess with The Deuce. Still, one can't deny the haunting sentiment that despite such power, this is still a moonlighting gig for Baker. Is he bittersweet about Stripper's Union's sparse chances to collude, let alone perform as an entity unto itself?

"I adore being a songwriter, guitar player and working with friends. Stripper's Union is like an open relationship where different friends bring out various traits and you can explore them. I've had such a great time working with these guys, it will happen again. These guys are such great musicians, I feel privileged to create with them. When it comes to Stripper's Union, there's no bitter. It's all sweet."
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#22

sullivand Wrote:
chris Wrote:Is that post missing a whole bunch of words and punctuation?
Yep. Their version up on Facebook seems more coherent...
Wow, thanx for posting that 2nd version.
I read the first one and was confused as hell.
I thought I was in a bad Google Translate dream.

"We're forced to bed, but we're free to dream"
Dana
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#23

Tthip Wrote:
sullivand Wrote:
chris Wrote:Is that post missing a whole bunch of words and punctuation?
Yep. Their version up on Facebook seems more coherent...
Wow, thanx for posting that 2nd version.
I read the first one and was confused as hell.
I thought I was in a bad Google Translate dream.
Have you had a good Google Translate dream?
Reply
#24

What a lazy review:
<!-- m --><a class="postlink" href="http://www.chartattack.com/reviews/2011/mar/07/strippers-union-%E2%80%93-the-deuce#">http://www.chartattack.com/reviews/2011 ... the-deuce#</a><!-- m -->

Strippers Union – The Deuce
By Cameron Gordon (CHARTattack)
Rating: 3.5 / 5

The Deuce is an extremely literal name for the latest effort from Stripper's Union. That's not only because it's the band's second album, but because it has a confidence and swagger of a well-manicured Vegas card shark... or whatever.

Strippers Union are led by CanCon royality Craig Northey (Odds) and Rob Baker (Tragically Hip), and The Deuce sways and meanders at will, at times recalling the power pop goodness of Northey's other band and at times venturing into weird areas where brass accompaniments are king.

Lead single "Making Strange" is an inspired effort, and while subsequent tracks may not garner much notice beyond transplanted Odds/Hip fans, this album is notable for Northey's underrated lyrical prowess and Baker's ability to import whiny riffage from his Hip playbook into a more plaintive environment. That's a solid trick from a man with some of the straightest hair in Canadian music.

"We're forced to bed, but we're free to dream"
Dana
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#25

They are streaming the entire album at the bottom of this page:

<!-- m --><a class="postlink" href="http://exploremusic.com/new-releases/stream-stripper%E2%80%99s-union-%E2%80%9Cthe-deuce%E2%80%9D/">http://exploremusic.com/new-releases/st ... %E2%80%9D/</a><!-- m -->

"We're forced to bed, but we're free to dream"
Dana
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#26

There is a deluxe edition on iTunes with three additional tracks.

"Time Won't Wait"
"After Life"
"Three Day Road"

2004-12-03 - Saint John/2005-09-03 - Moncton/2006-06-30 - Charlottetown/2006-11-09/10 - Montreal/2007-09-11 - Fredericton/2007-09-13 - Halifax/2007-09-14 - Sydney/2007-09-15 - Charlottetown/2008-06-30 - Charlottetown/2009-05-01/02 - Montreal/2011-06-28 - Moncton/2011-06-30 - Charlottetown/2012-06-30 - Niagara-on-the-Lake/2013-02-01 - Moncton/2013-02-02 - Halifax/2015-01-10 - Toronto/2015-02-20 - Montreal/2015-07-17 - Ottawa/2016-08-18 - Ottawa/2016-08-20 - Kingston
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#27

Anybody else listening yet?
'I Give You Away', 'Only Lows' and the Lightfoot cover are my early favs.

2004-12-03 - Saint John/2005-09-03 - Moncton/2006-06-30 - Charlottetown/2006-11-09/10 - Montreal/2007-09-11 - Fredericton/2007-09-13 - Halifax/2007-09-14 - Sydney/2007-09-15 - Charlottetown/2008-06-30 - Charlottetown/2009-05-01/02 - Montreal/2011-06-28 - Moncton/2011-06-30 - Charlottetown/2012-06-30 - Niagara-on-the-Lake/2013-02-01 - Moncton/2013-02-02 - Halifax/2015-01-10 - Toronto/2015-02-20 - Montreal/2015-07-17 - Ottawa/2016-08-18 - Ottawa/2016-08-20 - Kingston
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#28

Picked up a copy tonight at HMV for only $10. I'm listening right now and it's pretty damn good so far.

:music
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#29

<!-- m --><a class="postlink" href="http://www.chartattack.com/features/2011/mar/11/strippers-union-odd-and-hip-brothers-from-different-mothers#">http://www.chartattack.com/features/201 ... t-mothers#</a><!-- m -->

Stripper's Union: Odd And Hip Brothers From Different Mothers

By Cameron Gordon

Solidarity is a key factor in the success of any band. CanCon supergroup Stripper's Union are no exception.

Despite their name, they're not spewing about unionism a la Billy Bragg, nor about actual strippers a la... Warrant?!? Yet the songs spun by Craig Northey (Odds) and Rob Baker (The Tragically Hip) are nothing if not organized and flexible (if that helps).

"It's not like we're getting dirty old men in trench coats coming to our shows," says Baker in reference to any potential misunderstandings with the band name. "But you do have to be a bit careful if you're searching for the band on Google.

"It's a name that we always liked because whether its musicians or strippers or hockey players, you're forced to lead this slightly nomadic existence. There are parallels for all three, but we certainly weren't going to name ourselves the National Hockey League Players Association — I believe that name is taken."

The sophomore Stripper's Union full-length, appropriately titled The Deuce, was recorded at The Bathouse, The Tragically Hip's home studio in tiny Bath, Ont.

Since the Union features not only Northey but also two other members of the Odds (bassist Doug Elliott and drummer Patrick Steward), it's not surprising the output features power pop hooks a plenty, tempered with some of Baker's whiny guitar licks and a bit more of a soulful R&B feel than you'd typically find in the players' other projects.

It's a product of musical continuity and, more importantly, close to 20 years of overlap between the two bands — hence the level of cohesion for an outfit that's purely a labour of love for all involved.

"I believe the first time we met the Odds is when they opened for the Hip at the Moore Theatre in Seattle," Baker confirms. "This would have been 1993 or so. From the start, there was a real comfort level between the two bands, and they seemed like an extension of what we were doing, and vice versa. We truly seemed to be brothers from different mothers."

Geography is the biggest obstacle in music making for Stripper's Union. With Northey and crew in Vancouver and Baker in Ontario, a continental divide forces both sides to be wholly efficient when it comes time to record. The musical bedrock is mapped out in advance, and Baker says the connection with his bandmates is completely implicit.

"Playing music is inevitable whenever Craig and I get together.

"Two years ago, the day after Stephen Harper was elected PM for a second term, Craig was up in Smiths Falls, so we spent a bit of time together at his hotel. Before we knew it, the genesis of three songs that appear on The Deuce had fallen out of the tree. It almost seems automatic with these guys because the relationship is so incredibly natural."

With no immediate plans for widespread touring behind The Deuce — Baker's knuckling down in anticipation of the new Hip full-length, tentatively slated for late 2011/early 2012 — fans and curious onlookers alike can simply enjoy the output and double down in hopes of future Union activity, which Baker says is a fairly safe bet.

"In a way, Strippers Union is the perfect reflection of what I'd be doing if I weren't in the Hip, which would be trying to assemble my dream band. It's almost shorthand with those guys because they've been playing together so long, and while I'm coming from a slightly different place musically, it's a language that I'm able to integrate with — different dialect but same language."

"We're forced to bed, but we're free to dream"
Dana
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#30

<!-- m --><a class="postlink" href="http://www.thebarrieexaminer.com/ArticleDisplay.aspx?e=3017850">http://www.thebarrieexaminer.com/Articl ... ?e=3017850</a><!-- m -->

New album created in Ontario motel room
By JANE STEVENSON

Tragically Hip guitarist Rob Baker was feeling creatively juiced early last year when the Kingston, Ont., rockers got off the road from a nine-month tour.

Thus The Deuce, the second album from Baker's blues-inflected power-pop side band Stripper's Union, with Vancouver-based Odds vocalist-guitarist Craig Northey, bassist Doug Elliott and drummer Pat Steward, was born and released earlier this week.

"I was feeling really creative and it was hard to slip back into family life, and chores and daily responsibilities, and getting up at this time and going to bed at this time," he said, while relaxing in a Toronto bar recently.

"I'd been on tour, where when the sun comes up, it's time to go to bed. And for the first month at home, that's what I was doing. The house would be quiet, everyone's asleep, I'd slip down to my basement studio and plug away 'cause I had those nice hours where the whole world's asleep."

The Deuce follows solo offerings from The Hip's other guitarist Paul Langlois last December and frontman Gord Downie last summer.

"Gord already had sort of a leg up; he was determined that he was going to do a record or had already recorded a lot of a record and was getting ready to go out and I just thought, 'I'm looking at a year of sitting around, growing moss and getting fat or I can keep exercising my creative muscles and I just chose to do that," said Baker.

"The guys in Stripper's Union -- Craig, Pat and Doug -- are such good friends. I feel like they're my brothers in a way that I feel like the guys in The Hip are my brothers, and I knew I wasn't going to be seeing those brothers for a while."

Logistically, writing and recording with three other band members who live in Vancouver wasn't as hard as it sounds.

Baker, who hopes to have some Canadian club dates with Stripper's Union in late April, said he took advantage of whenever Northey was nearby and vice versa.

The two musicians wrote the lyrics for the first three songs for The Deuce in a Smiths Falls, Ont., motel the day after the last federal election, when Northey was there.

"I felt really good about that," said Baker. "That's what happens whenever the two of us get together, stuff tumbles out, and feels easy and natural so I went back and said, 'OK, we've got a start on three,' I'll assemble a bunch of other ideas and in the beginning of April I went out to Vancouver and spent a week just holed up in a hotel room there and I worked at Craig's studio with him."


As fate would have it, Baker was later standing beside Mark Monahan of the Ottawa Bluesfest at a show at a Kingston bar and

Monahan asked if Stripper's Union would be up for making an appearance.

That offer got the three Vancouver band members to the Hip's Bathhouse Studio in Kingston and The Deuce was recorded in seven days.

"With The Hip, it's very much about the five of us and everyone getting their stamp on the music. With Stripper's Union it's much more (that) I'm writing the music and then Craig writes the lyrics, I would say with assistance from me, and then we bring in these players that Craig has great shorthand with through a series of arched eyebrows and looks out of the corners of their eye that tell each other what they're doing."

Still, the difference between a Stripper's Union album and a Hip album isn't as big as you might think.

"It's all pretty close," said Baker.

"The Hip always stem from a sort of garagely, early English R&B thing and then it grew out-w a rd s from that and I think with the Stripper's Union guys the common ground is more Stax Volt R&B sound.

"We love the horns, we love the B3 (organ). And Craig is very much a power-pop guy. I'm a bit more of a blues rock country (guy)." And I think he's a very clever lyricist."

And when members of The Hip come back together after time away working on their side projects, Baker said they're better for it.

"We're forced to bed, but we're free to dream"
Dana
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