02-27-2018, 08:18 PM
I second these emotions. Too often, writing about music focuses on what is essentially gossip. What I like are insights into the creative process itself, or else really good analysis of the work. This interview is a great example of the former. :thumb:
I'd love to hear some of these lost versions. If I have a single criticism of the Hip over the years, it's the basically conservative approach they took to their own sound. They certainly did grow and evolve as a band - primarily, I believe, driven by Gord D's relentless experimenting with lyrical approaches and changes in his voice - but when Bob Rock's retrograde and highly dated stylings are the furthest you step away from the staple sound in your entire discography, that speaks to a tendency to err on the side of that sound. Without turning them into Radiohead, I'd have liked to see them integrate technology a little more (as say, the Shins have done at times) - and I've long wished they had done one mostly acoustic album building on that 'heavy folk' sound they did so well on cuts like 'Ahead by a Century,' 'Fiddler's Green,' or 'Morning Moon.'
One thing this interview does is make you realize how vast, probably, the treasure trove of unreleased and alternative cuts must be. I really, really hope they release much of that stuff, and that they allow even things that made them uncomfortable to come out.
I'd love to hear some of these lost versions. If I have a single criticism of the Hip over the years, it's the basically conservative approach they took to their own sound. They certainly did grow and evolve as a band - primarily, I believe, driven by Gord D's relentless experimenting with lyrical approaches and changes in his voice - but when Bob Rock's retrograde and highly dated stylings are the furthest you step away from the staple sound in your entire discography, that speaks to a tendency to err on the side of that sound. Without turning them into Radiohead, I'd have liked to see them integrate technology a little more (as say, the Shins have done at times) - and I've long wished they had done one mostly acoustic album building on that 'heavy folk' sound they did so well on cuts like 'Ahead by a Century,' 'Fiddler's Green,' or 'Morning Moon.'
One thing this interview does is make you realize how vast, probably, the treasure trove of unreleased and alternative cuts must be. I really, really hope they release much of that stuff, and that they allow even things that made them uncomfortable to come out.

