10-20-2004, 11:21 AM
I think you may be confusing Gord's in-aer monitors with a clip-on microphone......?
Also, with modern feedback cancelling systems, they do sometimes mic the audience to detect and buck feedback. The mics could be for that or to record the audience response to mix-in during post-production. Granted, Vol.1 of the Live Series sounded to me like it was straight off-the-board, without any post-production. IF they were recording all tracks seperately with post-production in mind, I don't think you'd hear the dialing-in of the sound mix on the Live Tracks. You can definately hear the sound mix improving with each track on the Toronto show. The first 4 tracks are pretty shakey.
Just my opinion, of course. :rambo:
Also, with modern feedback cancelling systems, they do sometimes mic the audience to detect and buck feedback. The mics could be for that or to record the audience response to mix-in during post-production. Granted, Vol.1 of the Live Series sounded to me like it was straight off-the-board, without any post-production. IF they were recording all tracks seperately with post-production in mind, I don't think you'd hear the dialing-in of the sound mix on the Live Tracks. You can definately hear the sound mix improving with each track on the Toronto show. The first 4 tracks are pretty shakey.
Just my opinion, of course. :rambo: