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Dear The Tragically Hip: I Owe You An Apology
#1

<!-- m --><a class="postlink" href="http://music.cbc.ca/#/blogs/2014/2/Dear-Tragically-Hip-I-owe-you-an-apology">http://music.cbc.ca/#/blogs/2014/2/Dear ... an-apology</a><!-- m -->
posted by Dave Shumka on Feb 27, 2014



Dear Tragically Hip,

I owe you an apology, but you’re not gonna like it. After 20 years of hating your music, I’m starting to come around, and it feels like I’m betraying myself.

In 1992, I was 11. This was around the time I became a music fan and started making decisions about what I liked instead of just listening to whatever was on. It was also the year you released your third album, Fully Completely, which solidified your spot as Canada’s biggest band for the next decade. And man, I hated it.

And let me be clear, I didn’t actively hate it. I didn’t spend my days stewing about “Courage” and nights violently kicking in my sleep, dreaming about “Wheat Kings.” I mean I was a hater, which wasn’t a term at the time, but looking back on it now, I was a pioneer in hating. Like Lewis and Clark, if they thought “At the Hundredth Meridian” was obnoxious.

I didn’t buy Fully Completely, but it’s the kind of album, like Dark Side of the Moon or Abbey Road, that you don’t have to buy in order to hear in its entirety. I heard the gross shimmering wah wah guitar sound on the radio. I saw the dumb knitted Boston Bruins sweater on MuchMusic. I heard the album tracks pumping out of Jeeps waiting at ferry terminals and PA systems at ultimate Frisbee tournaments.

I’m sure this isn’t news to you because I’m sure I’m not alone, but at the time I felt like I was. Your fans were everywhere, in every segment of the population — male and female, urban and rural, bright and not-so-bright — and they often made me feel unpatriotic for hating the Hip. It was like I was a sore loser in the referendum on Canada’s national band, or I had forgotten to cast my ballot, and had no right to complain.

What did they hear that I didn’t? Had they been brainwashed? Or were they just too lazy to explore musical options beyond what was constantly on the radio?

I eventually accepted that you were the biggest mainstream rock band in the country. That might be what pushed me away from mainstream music and drew me to alt-rock and indie bands. Unfortunately, you were also the biggest band on alternative radio.

It just wasn’t fair. It’s like the Seinfeld episode where Elaine tries to stick it to Putumayo by shopping at Cinco de Mayo, only to find out it’s owned by the same person.

And then, a couple years ago, something changed. It may be because I don’t watch MuchMusic or listen to the radio as much, or because you’re not as popular as you were in the ’90s, or because I’ve grown up, but I need you to know this, Tragically Hip: I don’t hate you anymore. And maybe I never did. I was just frustrated because I was bombarded by your music for a decade.

I actually think you’re pretty fascinating. What a strange combination of people — this weird artsy, theatrical, poet singer shimmying in front of a smoky Ontario bar band playing blues riffs. You certainly have your charms, but how weird that millions of Canadians recognize those charms.

In a world where music has to be cool to be popular, you were never cool. You didn’t dress well, you weren’t sexy, you weren’t cute and sarcastic in interviews, there was zero menace or mystique. It’s like you beat the system.

And here’s something I never thought I’d say: I actually like some of your music. The lyrics are pretty great across the board, especially the storytelling, and for me, the acoustic stuff outshines the bar band jams.

When I was a kid, I hated brussels sprouts, but I like them now. I’m not sure whether my tastes matured or whether, over time, enough of my taste buds died that I don’t notice how bad they taste. I feel the same about you. I was so firmly opposed to your band, that the fact I can admit I don’t hate you anymore is either a sign that I’m growing or I’m getting soft. I’ll never feel 100 per cent one way or the other, but I do owe you that apology.

You don’t suck. I’m sorry I said you did.

"We're forced to bed, but we're free to dream"
Dana
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#2

Swap Rush for The Hip and this is a letter I could have written a few years back.
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#3

The only thing I disagree with in his post is that "The Hip had no mystique." As a 12 year old kid, seeing the band in a sold out arena for the first time in the mid 90s, there most certainly was a mystique.

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#4

Rye Wrote:The only thing I disagree with in his post is that "The Hip had no mystique." As a 12 year old kid, seeing the band in a sold out arena for the first time in the mid 90s, there most certainly was a mystique.

Couldn't agree more. Seeing the Hip live in the mid-late 90s was almost a religious experience. I would argue that they were easily the most powerful live act on the planet at that time. I remember that awesome feeling of anticipation and excitement in the crowd right before they would hit the stage. It was remarkable. This was also the height of Gord's "crazy/madman/poet" stage persona, and fans were really drawn to that. There was certainly an aura of mystery about him and the band at the time, that's for sure.
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#5

direwolf74 Wrote:
Rye Wrote:The only thing I disagree with in his post is that "The Hip had no mystique." As a 12 year old kid, seeing the band in a sold out arena for the first time in the mid 90s, there most certainly was a mystique.

Couldn't agree more. Seeing the Hip live in the mid-late 90s was almost a religious experience. I would argue that they were easily the most powerful live act on the planet at that time. I remember that awesome feeling of anticipation and excitement in the crowd right before they would hit the stage. It was remarkable. This was also the height of Gord's "crazy/madman/poet" stage persona, and fans were really drawn to that. There was certainly an aura of mystery about him and the band at the time, that's for sure.

100%. The peak for me was Day For Night, that period. These guys were the best live band in the world, and the debate held with my friends was not whether they stacked up with Nirvana and U2, but which of the three was supreme. What is so hard to describe was the feeling that this was a band of destiny - that they were BOUND to conquer the world and become mega-stars, that any Hip show was Ground Zero for some sort of rock and roll nova. The excitement was unreal. And Gord seemed like he came from another planet - just seething charisma in a bottle and he carried the crowd with him on this massive catharsis.

Personally, I found that aura sort of went "poof" when they deliberately dialed it down a notch with TATHH. Then they became an interesting band, but no longer the locus of that special madness. Or maybe it was I who matured and began to recognize that, really, these are just guys like anyone else (Gord included). But whatever it was, that album was the pivot into their being "just a great band" for me, rather than something historic.For a while there, they just captured some aspect of a very specific Canadian and generational zeitgeist - not unlike what Dylan or The Beatles did in the 60s, or U2 did with Achtung Baby, to far more global audiences.
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