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<!-- m --><a class="postlink" href="http://www.metronews.ca/reuters_national.asp?id=68491">http://www.metronews.ca/reuters_national.asp?id=68491</a><!-- m -->

Canadian Recording Industry Battles File Sharing


Tuesday, April 19, 2005 1:02:15 PM ET -- Sue Thomas

TORONTO (Reuters) - The Canadian recording industry will go to court on Wednesday in a bid to overturn a ruling that legalized Internet file sharing in the country and gave momentum to a steep decline in retail sales.

Graham Henderson, president of the Canadian Recording Industry Association, is hesitant to speculate on his organization's chances of successfully appealing a ruling made in February last year that sided with Internet service providers and likened file sharing to using a photocopier.

"I like to think we had a very strong case at the first instance, and I think we have a very strong case now," Henderson told Reuters in an interview on Monday. "But who knows with appeals."

He would not comment on what tack the CRIA's lawyers will take, but if the appeal is successful, he says it will help stem unauthorized file sharing in Canada, which has the highest per capita rate of free music uploading in the world.

It will also start bringing Canada into line with other countries, including England, France, Japan and most of the United States, where unauthorized file sharing is illegal.

And suing offenders, who are mostly under 25 years old, would not be a last resort, Henderson said.

"The purpose of lawsuits is ... to attach consequences to activities, and lawsuits would be aimed at college-aged kids who should know better," he said.

In the month after the court decision, the CRIA noticed a big spike in free file sharing. The organization homed in on the Tragically Hip, a top Canadian band that had just released a new record: "There were 1,000 legal downloads, but 2.8 million unauthorized swaps of the music," Henderson said.

Overall in Canada, which is the sixth-largest global market per capita for sound recordings, there are one million paid downloads every month, compared with 134 million free ones.

"And it's climbing, and nobody gets a red cent, not a penny. It's just unconscionable," Henderson said.

While domestic sales of recorded music were flat in 2004, they have fallen by a total C$465 million since 1999, when file sharing began emerging. The CRIA says it has also noted a drop in investment in the industry, although it has no statistics.

"When something like this happens, investment flees the marketplace. Young Canadian entrepreneurs' ability to get private investors drops to nothing. The banks say, 'You're nuts, kids can do this for free with impunity'," he said.

"We need a legal environment that will encourage investment. A successful appeal will allow businesses to establish themselves, and from the point of view of music fans, those who swap files illegally will know once and for all they are doing something wrong."

Meantime, the CRIA has been lobbying hard for a revamp of Canada's copyright law, which the group says is outdated and does not reflect the digital age.

They were rewarded last month, when the government announced changes to the law are scheduled to be introduced in Parliament this year.
Mr. Henderson forgets to mention that that was for the Puretracks pre-release of Vaccination Scar, meaning:

(1) People without credit cards couldn't get the track "legally"
(2) People uncomfortable with using their credit cards online (and there are millions of them), couldn't get the track legally
(3) Americans couldn't get the track "legally"

Not to mention the fact that IBE wasn't going to be released for anouther 6 weeks or something like that, so people balked at having to pay for Vaccination Scar twice.

How many of those "2.8 million" kept the track?
How many of those "2.8 million" bought the CD?
How many of those "2.8 million" went to a Hip concert last summer/fall?

I saw Henderson on ROB TV spewing the same garbage and when the interviewer asked "couldn't that be a lot of Americans downloading the song since they don't have access to it", Henderson replied: "Well, the Hip really don't have any fans in the US."

Sure, they may not be Nickleback in the US, but so say they don't have any fans south of the border is just plain ridiculous.
to add to your list...

How many of those 2.8 million songs were actually Vaccination Scar (or any track from IBE)?

He doesn't explain specifically whether those results are for all Hip music, or if they are for just the new album...
theAryanTwang Wrote:to add to your list...

How many of those 2.8 million songs were actually Vaccination Scar (or any track from IBE)?

He doesn't explain specifically whether those results are for all Hip music, or if they are for just the new album...

It was just for Vaccination Scar - he spewed the same "stats" shortly after VS was released on Puretracks (but nowhere else) six weeks prior to the full release of IBE.
Add me among the people that got a copy of VS through file-sharing, but then bought the CD on the first day it was out.
I bought it from pure tracks, waste of my dollar. Worst hip song ever.
NMAS Wrote:I bought it from pure tracks, waste of my dollar. Worst hip song ever.

i didn't know that The Rules was available on pure tracks. Tongue

i have never paid for an mp3 download and i never will.
NMAS Wrote:I bought it from pure tracks, waste of my dollar. Worst hip song ever.

10 tool points
Vaccination Scar has the moooost addictive guitar licks since NOIS

IMO, of course.
Cpt. Trips Wrote:Vaccination Scar has the moooost addictive guitar licks since NOIS

IMO, of course.

I agree. Or at any rate I love the song, especially the guitar.
I'll never pay for an MP3 especially since I buy albums. If The Hip ever released proper singles though with b-sides I'd probably buy them.
Coneycat Wrote:
Cpt. Trips Wrote:Vaccination Scar has the moooost addictive guitar licks since NOIS

IMO, of course.

I agree. Or at any rate I love the song, especially the guitar.

Absolutely, that lap steel riff is totally addictive.
Once again we see the music industry not being innovative and instead treating their potential customers as criminals.

Adapt to new technology or die, that's the way of it. You can only sue people so much and it will only make people angrier at you.

It's really too bad that music and our culture surrounding it has been taken over by a greedy and uninnovative industry which isn't doing it's job properly.
googolplex Wrote:Once again we see the music industry not being innovative and instead treating their potential customers as criminals.

Adapt to new technology or die, that's the way of it. You can only sue people so much and it will only make people angrier at you.

It's really too bad that music and our culture surrounding it has been taken over by a greedy and uninnovative industry which isn't doing it's job properly.
Well said.
i wonder how many of those downloads were the HNIC version and not even the album version too...
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