12-29-2004, 11:21 PM
So the HIP MENTION is pretty buried in this link.... and it's someone's number 10... but it seems the boys are there with our IBE !!!
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I think there is close to 30 critics.... to scroll through... so here's the critic who knows what's up!
RICHARD SKANSE
1. Terri Hendrix, The Art of Removing Wallpaper (Wilory): Americana-folk-pop's most consistently refreshing voice reveals her most personal (and even sensual) collection of songs yet, and fires fearless broadsides at Clear Channel and religious hypocrites just for good measure.
2. U2, How to Dismantle an Atomic Bomb (Interscope): Yeah, technically, they're still backpedaling. But whether they're moving forward, backward or running to stand still, U2 remain timeless, and their latest "miracle drug" packs one hell of an emotional wallop.
3. Chrissy Flatt, Walk With Kings (chrissyflatt.com): A "singer-songwriter" with a rocker's bite and a wicked way with melody worthy of Del Shannon and Buddy Holly. Not bad with a Kinks cover, either.
4. Nellie McKay, Get Away From Me (Sony): Why split an hour's worth of music over two discs? Because there's too much talent, wit, charm and inventive pizzazz here to fit onto just one. The year's best debut.
5. Jon Dee Graham, The Great Battle (New West): The former True Believers guitarist's fourth solo album is half ragged, rocking and raw and half tender and wise. At its best (the title track), it's all that at once.
6. Nick Cave and the Bad Seeds, Abattoir Blues/The Lyre of Orpheus (Anti-): The Gospel according to Nick, chock-full of supernatural wrath and beauty. Staggering in lyrical wit and musical scope.
7. Wilco, A Ghost Is Born (Nonesuch): I don't have a clue what "pure bug beauty" is, but I'm pretty sure it sounds just like this. I'm also sure that no song has ever sounded better on an open road than "Spiders (Kidsmoke)."
8. The Real Heroes, Greetings From Russia (Rec. Center): Proof that prime Bowie and Cheap Trick go together like chocolate and peanut butter. Austin's Real Heroes are the best rock band in America you haven't heard of. Yet.
9. Kasey Chambers, Wayward Angel (Warner Bros.): Motherhood and mainstream success (at least Down Under) have polished away some of her gritty edge, but her one-of-a-kind voice and melodic instincts remain impeccable.
10. The Tragically Hip, In Between Evolution (Zoe): Canada's answer to R.E.M., U2 and occasionally even the Rolling Stones serve up their best batch of anthems since 1998's Phantom Power.
Reissue: The Kinks, Muswell Hillbillies (Konk/Velvel/Koch): The deluxe, three-CD import Village Green Preservation Society is a doozy, but all those bonus tracks pale next to the ramshackle beauty of Ray Davies' "Americana" album in glorious SACD.
<!-- m --><a class="postlink" href="http://www.rollingstone.com/news/story/_/id/6795933/elliottsmith?pageid=rs.Home&pageregion=single1&rnd=1104379901759&has-player=true&version=6.0.8.1024">http://www.rollingstone.com/news/story/ ... 6.0.8.1024</a><!-- m -->
I think there is close to 30 critics.... to scroll through... so here's the critic who knows what's up!
RICHARD SKANSE
1. Terri Hendrix, The Art of Removing Wallpaper (Wilory): Americana-folk-pop's most consistently refreshing voice reveals her most personal (and even sensual) collection of songs yet, and fires fearless broadsides at Clear Channel and religious hypocrites just for good measure.
2. U2, How to Dismantle an Atomic Bomb (Interscope): Yeah, technically, they're still backpedaling. But whether they're moving forward, backward or running to stand still, U2 remain timeless, and their latest "miracle drug" packs one hell of an emotional wallop.
3. Chrissy Flatt, Walk With Kings (chrissyflatt.com): A "singer-songwriter" with a rocker's bite and a wicked way with melody worthy of Del Shannon and Buddy Holly. Not bad with a Kinks cover, either.
4. Nellie McKay, Get Away From Me (Sony): Why split an hour's worth of music over two discs? Because there's too much talent, wit, charm and inventive pizzazz here to fit onto just one. The year's best debut.
5. Jon Dee Graham, The Great Battle (New West): The former True Believers guitarist's fourth solo album is half ragged, rocking and raw and half tender and wise. At its best (the title track), it's all that at once.
6. Nick Cave and the Bad Seeds, Abattoir Blues/The Lyre of Orpheus (Anti-): The Gospel according to Nick, chock-full of supernatural wrath and beauty. Staggering in lyrical wit and musical scope.
7. Wilco, A Ghost Is Born (Nonesuch): I don't have a clue what "pure bug beauty" is, but I'm pretty sure it sounds just like this. I'm also sure that no song has ever sounded better on an open road than "Spiders (Kidsmoke)."
8. The Real Heroes, Greetings From Russia (Rec. Center): Proof that prime Bowie and Cheap Trick go together like chocolate and peanut butter. Austin's Real Heroes are the best rock band in America you haven't heard of. Yet.
9. Kasey Chambers, Wayward Angel (Warner Bros.): Motherhood and mainstream success (at least Down Under) have polished away some of her gritty edge, but her one-of-a-kind voice and melodic instincts remain impeccable.
10. The Tragically Hip, In Between Evolution (Zoe): Canada's answer to R.E.M., U2 and occasionally even the Rolling Stones serve up their best batch of anthems since 1998's Phantom Power.
Reissue: The Kinks, Muswell Hillbillies (Konk/Velvel/Koch): The deluxe, three-CD import Village Green Preservation Society is a doozy, but all those bonus tracks pale next to the ramshackle beauty of Ray Davies' "Americana" album in glorious SACD.
cratch:
I appologize to all on Hipbase for my rantings.... :thumb: "The public gets what the public wants"... (Paul Weller..the Jam 1980 "going underground" 8) )