07-30-2004, 01:16 PM
Rock
The Tragically Hip
In Between Evolution
[Zoe/Rounder]
Some masterpieces reveal themselves slowly until finally it all seems so obvious.
Given that we exist amid a pop culture landscape where only the instantly inviting and immediately gratifying is considered worthwhile, creating a work of art that only reveals itself after the listener has invested considerable time and effort is a risky proposition. But then, not everyone is meant to hop the of-the-moment gravy train.
"In Between Evolution" is one of the Tragically Hip's most complex and difficult albums. It takes a while to get into. But once you do, it owns you, fully and completely. It's a heavier, grittier affair than "In Violet Light" and "Music @ Work," all dense twin-guitar interplay, throbbing, ominous rhythm section rumblings and singer Gordon Downie's at first obtuse, later disarmingly and openly poetic lyrics.
Opener "Heaven Is a Better Place Today" sets the tone, as the wall of guitars and relentlessly driving groove frame Downie's tale of loss and grieving. "Summer's Killing Us" is skittish, its hook coy and peeking at you from around the corner. Downie sings wonderfully here, his open-throated wail during the choruses completely vulnerable, the sound of a man worn down past the point of caring to save face.
There's nothing weak here. It all hurts, is painful in a way that is utterly compelling.
- Jeff Miers :jump :jump
WE SHOULD SEND JEFF A HIPBASE T-SHIRT
The Tragically Hip
In Between Evolution
[Zoe/Rounder]
Some masterpieces reveal themselves slowly until finally it all seems so obvious.
Given that we exist amid a pop culture landscape where only the instantly inviting and immediately gratifying is considered worthwhile, creating a work of art that only reveals itself after the listener has invested considerable time and effort is a risky proposition. But then, not everyone is meant to hop the of-the-moment gravy train.
"In Between Evolution" is one of the Tragically Hip's most complex and difficult albums. It takes a while to get into. But once you do, it owns you, fully and completely. It's a heavier, grittier affair than "In Violet Light" and "Music @ Work," all dense twin-guitar interplay, throbbing, ominous rhythm section rumblings and singer Gordon Downie's at first obtuse, later disarmingly and openly poetic lyrics.
Opener "Heaven Is a Better Place Today" sets the tone, as the wall of guitars and relentlessly driving groove frame Downie's tale of loss and grieving. "Summer's Killing Us" is skittish, its hook coy and peeking at you from around the corner. Downie sings wonderfully here, his open-throated wail during the choruses completely vulnerable, the sound of a man worn down past the point of caring to save face.
There's nothing weak here. It all hurts, is painful in a way that is utterly compelling.
- Jeff Miers :jump :jump
WE SHOULD SEND JEFF A HIPBASE T-SHIRT
